Imagine: tense scenes in the shower (the girls will be stabbed when a bath) in the movie Psycho (Alfred Hitchcock), which is famous ... but without the music! Thriller movie without music? It's the level of tension without the aid of lost music.
So the music was not separated from the film (any genre). Even music is embedded in a particular film in the mind-penontonnya. Some people will always terbuai to the world far away, to the natural Cassablanca, if heard By As Time Goes. Some people still menyenandungkan Lara's Theme, and remember love epic Doctor Zhivago. Or menyiulkan theme song Love Story at the time romantic feel. Many films that became immortal because of the song / music they are.
Hollywood with a sprightly and industrialize these phenomena. Music / songs from the film - the big screen or television - into a commodity itself.
Development
In the era of silent film, so the background music with a variety of reasons: inheritance as a theater tradition, as a noise reducer from the projector, and as' depth 'in the silent two-dimensional image on the screen.
A voice in the era of film, music, movies began to language itself. At the beginning, continue the tradition of movie music silent film era, the use khasanah Western music that has been there - especially classical music 19th century Europe. In the era of 1930's, began to write down the general composition for a specific film. Some sineas - such as the sineas in Russia - to use music in order to explore the relation between music (some part of the sound) and images. But most movies put to music as a decoration or just a tool in building the atmosphere.
In 1930, an era that began menyususn dictionary Hollywood film music through the composer educated in the tradition of European music. Music-film screening is well established in the era of 1940-an. The names of leading at that time, among others, Max Steiner (King Kong (1933)) and Bernard Herrmann - Citizen of the paper include Kane (1941) and Psycho (1960).
Dominated the music-film screening that uses European-style symphony and start didobrak in the 1950s: the influence of jazz into the flow of Hollywood films. The pemulanya include Alex North (A Street Car Named Desire (1951), Cleopatra (1963), Who's Affraid of Virginia Wolf? (1966)) and Elmer Bernstein (The Man With The Golden Arm (1955), Magnificent Seven (1960 )). One of the most famous composers flow is Henry Manciny. Film music with jazz influences are reasonable liked the film because in addition to the expressive, more contemporary music from the romantic European style, also do not require large orchestra, to be cheaper.
Era 1950-an era of experimentation is also the music / sound is more diverse. In India, Satyajit Ray using ethnic music of Ravi Shankar for the film, Pather Panchali. In Japan, Fumio Hayasaka using musical instruments to Japan's Akira Kurosawa film, Rashomon (1950) and Seven Samurai (1955). European birth grip music-studio film with a small orchestra. New-wave movement in France participated popularize the grip, and the birth of movie-music figures such as Michael Legrand (The Umbrellas of Cherbourg (1964), Summer of'42 (1972) - where he won the Oscar, and Yentl (1983) - also won the Oscar).
Experimentation 1950s continued with the experiment of the 1960s. The world are stricken music revolution, with the main heroes: The Beatles. The most prominent of the music revolution that - in addition mencuatnya protean jazz and ethnic sounds - is mencuatnya rock music as a new strength. Khasanah music film also took the wrong electrical current, and the influence of rock embedded start. One of the master of movie music with the influence of rock that is John Barry that his work fills almost all the James Bond film, also, among others, Born Free (1966), Out of Africa (1985), dances With Wolves (1990) and Indecent Proposal (1993 ).
In the 1980s, several trends in current mencuat to the surface. First, the use of synthesizer. The names prominent in the flow is Vangelis (Chariots of Fire (1981), Blade Runner (1982)), Tangerine Dream (Legend (1985), Vision Quest (1985)) and Giorgio Moroder (Flash Dance (1983) and Top Gun (1986)). Film music with the synthesizer to give the feel of the typical: sound-made electronic sounds very appropriate to build the atmosphere of 'another world' (the tale, a dream or futuristic) in the image on the screen.
Second trend, avant garde music not only be 'owned' avant garde film only. Music vanguard also go to the large flow. David Byrne, an avant garde musician, composing composition for Something Wild (1986) and assist in The Last Emperor (1987) which, among others, won the Oscar for the music system.
Third trend is the tendency to order music from film songs popular. Films such as Big Chill (1983), Down And Out in Beverly Hills (1986) and Good Morning, Vietnam (1987) deliberately build atmosphere through music that is old sink in the collective awareness of American audiences - in the first two films, it is required by the story. Another variation is the trend of governance of the film music with the conscious choosing rock songs that are or will be fancied, such as Against All Odds (1984 - and popularize single from Phil Collins with the same title) and White Nights (1985 - Lionel mencuatkan hit Ritchie, Say You Say Me). Variations affected a television series, Miami Vice.
Recent trends also opened opportunities for meriahnya music and alternative music 'black' - especially R & B and rap - caparison Hollywood films 1990s. Menguatnya black music is also related with the emergence of black trend in Hollywood movies that dimotori by Spike Lee (Jungle Fever, Malcolm X) and John Singleton (Boyz 'n The Hood, Poetic Justice). However, administration music black music for black movies that tend to be racially also to widen the flow of the predominantly sineas' bule '. For example, the Space Jam: the film appears as a 'property' of black people - basketball hero Michael Jordan music and R & B and rap dominated the film. While figures Loonie Toons cartoons (main opponent Jordan), is a cultural product 'white' America (not to mention the producers in the film, which hit big with the dredge sell cargo 'black' is, also white).
Hunting 'treasure trove'
With all the development of world governance is to become a film music collection of exciting and valuable. In Jakarta, the collector normal beat-piggledy shops Duta Suara types (particularly those in Sabang) and Aquarius (especially in the Pondok Indah - unfortunately, the masses have been burnt ago in May 1998). Both have the most complete collection. Aquarius Pondok Indah in fact also include the collection of music dramas Broadway musical (such as Jesus Christ Superstars, Cats, Miss Saigon). A more diligent ju0ga can interfere or poke Glodok kiosks music flea market in Jalan Surabaya. In Jalan Surabaya, next to the CD and CD-cassettes used, and also sold video record - often with the quality that is still tolerable awake. Because the flea market stalls, the recorded sound-track recordings that are sold mostly from old movies (1960s to 1970s). Create the collector, it is diverting.
Khasanah music from the film we can also find a 'treasure trove' found in the difficult shelves music. For example in Leaving Las Vegas OST, Sting sing songs of the director, Mike Figgis, who styled specifically for the film. The Sting of course the fans will not find songs on the album-album Sting. Another example, the Led Zeppelin fans can treat their longing to hear the works of two legendary exponent of the group, Jimmy Page and John Paul Jones, in two works of film director Michael Winner. Page up music Death Wish II (Charles Bronson), Jones and arrange music Scream For Help (melejitkan a hit with Christie vocal Jon Anderson).
'Wealth trove' is when a star actually sing their own songs in the film. In Evita, for example, all the stars sing their own songs that are displayed - including Antonio Banderas. Previously, Banderas also sing a song in the Mambo King. Or if you want to hear sound sexy Michelle Pfeifer, please turn OST Faboulus Baker Boys (the most famous scenes in the movie is when The Pfeifer sing 'Whoopee on the piano). A unique case is Blues Brothers and The Commitments: the film is about the fictitious music group, but even then the pemerannya so betulan musicians!
Things to engross in hunting, music film music is often that we hear vague, half-half, or while ago (without the conscious, because we are dazzled by the image / scene) while watching is that the composition and quality are taken seriously by musicians who piawai. George & Ira Gershwin, Maurice Jarre, Henry Manciny, Bernard Hermann, John Barry, is an example of respectable names: the collection of their works for a variety of film music has become a milestone itself.
Indonesian also have a respectable name: Idris Sardi. He was the most piawai up in the music that can put pressure on the atmosphere of a certain image that moves on the screen. Also Eros Djarot - his works in Badai Pasti Berlalu milestones have been the pop music of the country with melejitkan Chrisye and Keenan Nasution. However, in line with the 'tidur' his film Indonesia, as they participate in terbungkam work.
Unfortunately, awareness of our procedures for documenting the musical film - as awareness for our films documenting the national - very minimal. But the era of 1990s was an interesting period for the development of the OST in the country. Rule that the market is OST films TV products outside (especially Hong Kong) in the-Indonesian-kan. Starting from the successful return of the theme song Pendekar Rajawali Sakti who sung Yuni Shara, the many other local performers have similar success. Later, OST sinetron-sinetron local tolerable behavior also sold. But, as national films in general, music of any film we have not been optimal. ***
So the music was not separated from the film (any genre). Even music is embedded in a particular film in the mind-penontonnya. Some people will always terbuai to the world far away, to the natural Cassablanca, if heard By As Time Goes. Some people still menyenandungkan Lara's Theme, and remember love epic Doctor Zhivago. Or menyiulkan theme song Love Story at the time romantic feel. Many films that became immortal because of the song / music they are.
Hollywood with a sprightly and industrialize these phenomena. Music / songs from the film - the big screen or television - into a commodity itself.
Development
In the era of silent film, so the background music with a variety of reasons: inheritance as a theater tradition, as a noise reducer from the projector, and as' depth 'in the silent two-dimensional image on the screen.
A voice in the era of film, music, movies began to language itself. At the beginning, continue the tradition of movie music silent film era, the use khasanah Western music that has been there - especially classical music 19th century Europe. In the era of 1930's, began to write down the general composition for a specific film. Some sineas - such as the sineas in Russia - to use music in order to explore the relation between music (some part of the sound) and images. But most movies put to music as a decoration or just a tool in building the atmosphere.
In 1930, an era that began menyususn dictionary Hollywood film music through the composer educated in the tradition of European music. Music-film screening is well established in the era of 1940-an. The names of leading at that time, among others, Max Steiner (King Kong (1933)) and Bernard Herrmann - Citizen of the paper include Kane (1941) and Psycho (1960).
Dominated the music-film screening that uses European-style symphony and start didobrak in the 1950s: the influence of jazz into the flow of Hollywood films. The pemulanya include Alex North (A Street Car Named Desire (1951), Cleopatra (1963), Who's Affraid of Virginia Wolf? (1966)) and Elmer Bernstein (The Man With The Golden Arm (1955), Magnificent Seven (1960 )). One of the most famous composers flow is Henry Manciny. Film music with jazz influences are reasonable liked the film because in addition to the expressive, more contemporary music from the romantic European style, also do not require large orchestra, to be cheaper.
Era 1950-an era of experimentation is also the music / sound is more diverse. In India, Satyajit Ray using ethnic music of Ravi Shankar for the film, Pather Panchali. In Japan, Fumio Hayasaka using musical instruments to Japan's Akira Kurosawa film, Rashomon (1950) and Seven Samurai (1955). European birth grip music-studio film with a small orchestra. New-wave movement in France participated popularize the grip, and the birth of movie-music figures such as Michael Legrand (The Umbrellas of Cherbourg (1964), Summer of'42 (1972) - where he won the Oscar, and Yentl (1983) - also won the Oscar).
Experimentation 1950s continued with the experiment of the 1960s. The world are stricken music revolution, with the main heroes: The Beatles. The most prominent of the music revolution that - in addition mencuatnya protean jazz and ethnic sounds - is mencuatnya rock music as a new strength. Khasanah music film also took the wrong electrical current, and the influence of rock embedded start. One of the master of movie music with the influence of rock that is John Barry that his work fills almost all the James Bond film, also, among others, Born Free (1966), Out of Africa (1985), dances With Wolves (1990) and Indecent Proposal (1993 ).
In the 1980s, several trends in current mencuat to the surface. First, the use of synthesizer. The names prominent in the flow is Vangelis (Chariots of Fire (1981), Blade Runner (1982)), Tangerine Dream (Legend (1985), Vision Quest (1985)) and Giorgio Moroder (Flash Dance (1983) and Top Gun (1986)). Film music with the synthesizer to give the feel of the typical: sound-made electronic sounds very appropriate to build the atmosphere of 'another world' (the tale, a dream or futuristic) in the image on the screen.
Second trend, avant garde music not only be 'owned' avant garde film only. Music vanguard also go to the large flow. David Byrne, an avant garde musician, composing composition for Something Wild (1986) and assist in The Last Emperor (1987) which, among others, won the Oscar for the music system.
Third trend is the tendency to order music from film songs popular. Films such as Big Chill (1983), Down And Out in Beverly Hills (1986) and Good Morning, Vietnam (1987) deliberately build atmosphere through music that is old sink in the collective awareness of American audiences - in the first two films, it is required by the story. Another variation is the trend of governance of the film music with the conscious choosing rock songs that are or will be fancied, such as Against All Odds (1984 - and popularize single from Phil Collins with the same title) and White Nights (1985 - Lionel mencuatkan hit Ritchie, Say You Say Me). Variations affected a television series, Miami Vice.
Recent trends also opened opportunities for meriahnya music and alternative music 'black' - especially R & B and rap - caparison Hollywood films 1990s. Menguatnya black music is also related with the emergence of black trend in Hollywood movies that dimotori by Spike Lee (Jungle Fever, Malcolm X) and John Singleton (Boyz 'n The Hood, Poetic Justice). However, administration music black music for black movies that tend to be racially also to widen the flow of the predominantly sineas' bule '. For example, the Space Jam: the film appears as a 'property' of black people - basketball hero Michael Jordan music and R & B and rap dominated the film. While figures Loonie Toons cartoons (main opponent Jordan), is a cultural product 'white' America (not to mention the producers in the film, which hit big with the dredge sell cargo 'black' is, also white).
Hunting 'treasure trove'
With all the development of world governance is to become a film music collection of exciting and valuable. In Jakarta, the collector normal beat-piggledy shops Duta Suara types (particularly those in Sabang) and Aquarius (especially in the Pondok Indah - unfortunately, the masses have been burnt ago in May 1998). Both have the most complete collection. Aquarius Pondok Indah in fact also include the collection of music dramas Broadway musical (such as Jesus Christ Superstars, Cats, Miss Saigon). A more diligent ju0ga can interfere or poke Glodok kiosks music flea market in Jalan Surabaya. In Jalan Surabaya, next to the CD and CD-cassettes used, and also sold video record - often with the quality that is still tolerable awake. Because the flea market stalls, the recorded sound-track recordings that are sold mostly from old movies (1960s to 1970s). Create the collector, it is diverting.
Khasanah music from the film we can also find a 'treasure trove' found in the difficult shelves music. For example in Leaving Las Vegas OST, Sting sing songs of the director, Mike Figgis, who styled specifically for the film. The Sting of course the fans will not find songs on the album-album Sting. Another example, the Led Zeppelin fans can treat their longing to hear the works of two legendary exponent of the group, Jimmy Page and John Paul Jones, in two works of film director Michael Winner. Page up music Death Wish II (Charles Bronson), Jones and arrange music Scream For Help (melejitkan a hit with Christie vocal Jon Anderson).
'Wealth trove' is when a star actually sing their own songs in the film. In Evita, for example, all the stars sing their own songs that are displayed - including Antonio Banderas. Previously, Banderas also sing a song in the Mambo King. Or if you want to hear sound sexy Michelle Pfeifer, please turn OST Faboulus Baker Boys (the most famous scenes in the movie is when The Pfeifer sing 'Whoopee on the piano). A unique case is Blues Brothers and The Commitments: the film is about the fictitious music group, but even then the pemerannya so betulan musicians!
Things to engross in hunting, music film music is often that we hear vague, half-half, or while ago (without the conscious, because we are dazzled by the image / scene) while watching is that the composition and quality are taken seriously by musicians who piawai. George & Ira Gershwin, Maurice Jarre, Henry Manciny, Bernard Hermann, John Barry, is an example of respectable names: the collection of their works for a variety of film music has become a milestone itself.
Indonesian also have a respectable name: Idris Sardi. He was the most piawai up in the music that can put pressure on the atmosphere of a certain image that moves on the screen. Also Eros Djarot - his works in Badai Pasti Berlalu milestones have been the pop music of the country with melejitkan Chrisye and Keenan Nasution. However, in line with the 'tidur' his film Indonesia, as they participate in terbungkam work.
Unfortunately, awareness of our procedures for documenting the musical film - as awareness for our films documenting the national - very minimal. But the era of 1990s was an interesting period for the development of the OST in the country. Rule that the market is OST films TV products outside (especially Hong Kong) in the-Indonesian-kan. Starting from the successful return of the theme song Pendekar Rajawali Sakti who sung Yuni Shara, the many other local performers have similar success. Later, OST sinetron-sinetron local tolerable behavior also sold. But, as national films in general, music of any film we have not been optimal. ***
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